Readers of the New York Times were perplexed by a crossword puzzle in the Sunday edition of the paper that appeared to be shaped like a swastika. Adding insult to injury in the minds of some was the fact that the puzzle was printed on the first day of Hanukkah
Several public figures used twitter to draw public attention to the controversial layout and ask the ‘newspaper of record’ how such an oversight made it to print on the day that one of Judaism’s most important holidays begins.
Donald Trump Jr., the son of former President Donald Trump, chimed in to claim that the outrage in the US would have been much bigger if an outlet “not ideologically aligned” with the readership of the Times had published it.
The newspaper’s subscribers traditionally lean left, with nine in ten people who cite it as their main news source identifying as Democrats, Pew Research reported in 2020.
The Jerusalem Post noted that this was not the first time the Times has come under fire for publishing crossword puzzles bearing a supposed swastika-likeness. Similar oversights happened in 2014 and 2017, the Israeli newspaper said.
In 2017, the NYT’s gaming section tweeted in response to accusations: “It’s NOT a swastika. Honest to God. No one sits down to make a crossword puzzle and says, ‘Hey! You know what would look cool?’”
The 2022 VMAs was a non-stop barrage of agenda-pushing and blatant symbolism that simply cannot be ignored. It was a reflection of the highly toxic climate of today’s pop culture, one that has been weaponized for indoctrination. Here’s how Lil Nas X, Nicki Minaj, BLACKPINK, Bad Bunny, Anitta and others were used in this sad spectacle.
Ever since I began analyzing the VMAs back in 2009, I highlighted the fact that MTV’s yearly ceremony is essentially a theatrical performance, complete with recurring actors and an overarching narrative. The goal is to promote specific artists and showcase how they comply with the elite’s agenda by using blatant symbolism.
The 2022 VMAs was no exception. A limited number of actors took part in this play (notably Nicki Minaj, Jack Harlow, and BLACKPINK) as all kinds of globalist-elite-friendly agendas were being promoted to millions of young viewers. And, in 2022, that agenda is simply toxic.
As I witnessed the sheer depravity and absurd hyper-sexualization that permeated this show, my thoughts took on a biblical level. Indeed, on some occasions, words like “Sodom and Gomorrah” popped into my head because, seriously, we’re heading there fast.
The VMAs were not merely about being “sexy”, it was about weird, twisted, unnatural, and exploitative sexualization that’s clearly motivated by malevolent forces. This sexualization is not about “free expression”, it is about the exact opposite. It is about control, submission, and even humiliation. Through symbolism, we understand that the “artists” that are celebrated during these awards are actually slaves of a powerful system that is using them as a weapon for mass indoctrination.
Think I’m exaggerating? Let’s just look at this cursed spectacle and you decide.
Pre-Show Madness
For some reason, the VMAs was hyper-focused on butts. To an absurd level. It’s almost as if the makers of show believed that all of its viewers were toddlers stuck in the anal stage of developement. And I’m not only talking about female butts.
The first performance of the pre-show featured Saucy Santana dressed like a woman and twerking all over the place.
Saucy Satana shakes his booty while wearing one of Beyonce’s outfits.
Also, there was this guy.
The name of the song: Booty. The chorus of the song:
Yeah, I know you like my booty, booty, booty, booty booty, booty, booty, booty Booty, booty, booty, booty, booty
Sodom and Gomorrah.
At the end of the pre-show, Dove Cameron performed the song Boyfriend.
Dove Cameron and her female dancers are dressed in masculine clothes.
Here’s the chorus of the song:
I could be a better boyfriend than him I could do the sh*t that he never did Up all night, I won’t quit Thinking I’m gonna steal you from him I could be such a gentleman Plus all my clothes would fit
The song is about Dove convincing a woman that she can be a better “boyfriend” to her than her own male boyfriend.
To sum up the Red Carpet show, the first performance featured a bunch of men twerking while dressed as women. The last performance featured a woman dressed as a man and singing about being a “better boyfriend”.
In short, a complete reversal of the sexes. I said above, this is not merely about being sexy, this is about twisting human nature and confusing young viewers.
All of that and the actual VMA’s did not even begin yet.
The Blatant Symbolism of the VMAs
The entire VMAs were rife with obvious symbolism that strongly hinted at one thing: The occult elite controls everything.
Most awards were preceded by an animation depicting a “hand from above” bestowing a gift to those under. It represents the elite handing out an award to the compliant slaves it controls.
As you’ll soon see, nearly every artist at the VMAs performed under a pyramidal structure that gave the entire show a strange, dystopian vibe. The message: The elite owns these slaves. Even up-and-coming artists performed under pyramids.
Conan Grey, a male singer (who was dressed in female clothes) performs under a pyramid. The message: The elite is “incubating” this artist for the future.
The VMAs also managed to convey the fact that being under the elite’s pyramid comes at a cost.
Lil Nas X Humiliation
The first award that was given at the VMAs was followed by a strange scene that might be a classic case of “humiliation ritual”. When Jack Harlow and Lil Nas X won the “Best Collaboration” award, Lil Nas did not want to get up.
Then, Jack Harlow forced Lil Nas to stand up. The rapper was clearly embarrassed as he attempted to hide his privates using his purse (or whatever).
Once on stage to accept the award, Lil Nas said:
“Wow, I’m up here like half-naked.”
While on the stage, Lil Nas X was still clearly embarrassed as he tried to hide from the viewers. This image basically says: Yes, he got an award, but at what cost?
This is what probably happened: Lil Nas was forced to wear this outfit and “they” knew very well that he had to go on stage while wearing it. In numerous previous articles, I stated that Lil Nas was a male Sex Kitten slave of the industry. This forced sexual humiliation is part of the price to pay to be an industry slave.
BLACKPINK
As explained in past articles on this site, K-Pop is 100% part of the occult elite’s agenda. And BLACKPINK has been “chosen” to make it big across the world. The group’s performance at the VMA’s could not have been more obvious.
The performance began with a couple of horns descending from a cloud, in front of a lit pyramidal structure. Satanic occult elite.
Then things get even more obvious.
BLACKPINK literally performs in front of a giant eye inside a triangle which happens to be the favorite symbol of the occult elite.
Yes, I’m talking about this symbol.
The all-seeing eye inside a triangle.
To confirm the fact that BLACKPINK was chosen by the elite, Lisa, a member of the group, went on to win the Best K-POP Video award for her song Lalisa.
You comply with the elite, you get shiny things. But at what cost?
As you can see, the elite fully infiltrated K-Pop. And it is doing the same with Latin music.
Latin Music Infiltrated
The 2022 VMAs featured several Latin artists and all of them managed to display complete submission to the occult elite.
J Balvin and Ryan Castro performed the song Nivel Del Perreo next to weird CGI of a girl shaking her butt. Yup, there were lots of butts at the VMAs. More importantly, they performed in front of another version of the eye-in-triangle symbol.
Some might say:
“Triangles do not necessarily mean Illuminati bro.”
I know. But here’s an actual lyric that was rapped by Ryan Castro during this very performance.
“Yo te como el triangulito como Illuminati” (I eat your triangle like Illuminati)
While this line barely makes any sense, it was said in this specific context for a purpose. It confirmed that these triangles you are seeing throughout the show symbolize the elite.
Anitta’s performance confirms this fact.
Anitta’s performance began with her sitting in front of yet another eye inside a triangle.
At one point, Anitta says:
“Did you think I wasn’t gonna shake my ass tonight?”
As said above, the VMA’s were strongly focused on butts. As soon as Anitta talked about “shaking her ass”, this symbolic thing happened.
The “hidden hands” (seen earlier handing out awards) literally open the doors of the pyramid to Anitta.
The message of this scene: Be a Sex Kitten slave and the occult elite will “open the doors” of the industry.
As explained in a recent article, the Brazilian singer Anitta has been hard at work doing the occult elite’s bidding.
Left: Anitta makes a blatant one-eye sign in a picture that was used in a New York Times article promoting her. Right: The cover of her album Version of Me revolves around the concept of MKULTRA alter-personas.
Of course, to confirm that she’s a “chosen one” Anitta won the award of “Best Latin Video”.
Throughout the show, Anitta wore a bright red dress that strategically exposed her left breast.
As explained in my very first article about the VMAs, red is the color of sacrifice and initiation. Furthermore, initiation rituals in Freemasonry require their candidates to walk around with their left breast exposed.
A Masonic initiate with his left breast exposed.
Bad Bunny is another Latin artist who was awarded at the VMAs. As seen in previous articles on this site, everything he does is in full compliance of the elite’s agenda.
Bad Bunny constantly wears dresses in photoshoots because he has to push the all-important gender-blurring and demasculinization agenda.
Bad Bunny won the Artist of the Year award, which is pretty big. However, he had to do something first.
During his performance, Bad Bunny kissed one of his male dancers.
Bad Bunny is not gay. He has a girlfriend and everything. During an interview with the LA Times, he stated:
“At the end of the day, I don’t know if in 20 years I will like a man. One never knows in life. But at the moment I am heterosexual and I like women.”
So why did he kiss a man? Because he had to. He’s a slave and he had to comply with the agenda. It’s about using sexuality for submission, compliance and humiliation.
Sure, he won a trophy. But at what cost?
Nicki Minaj Extravagenza
Nicki Minaj was all over the place at the 2022 VMAs. She was a host, she won the Video Vanguard Award and she performed for like 13 minutes. And, once again, the thing was rife with symbolism regarding her status as an industry slave.
Minaj’s entire performance revolved around the concept of her being a Barbie doll aka an MK slave.
In Monarch mind control, MK slaves are submitted to trauma such as electroshock therapy to cause dissociation which facilitates the creation of new programmable alter-persona. This is exactly what happens to Nicki during her performance.
Her set begins with her rapping in a rather natural, normal way, with some introspective lyrics. She’s her natural self. Then, she starts spazzing out.
Lights flash and Nicki flails around as if she was being electroshocked.
Lightning bolts further conveyed the concept of Nicki being electroshocked.
After the electroshock, her voice and demeanor change. Her alter-persona is now on stage.
While performing the song Monster, Nicki tortures a woman for no particular reason. MK slaves are sometimes used to torture and kill other slaves.
Like other artists at the VMAs, Nicki performed at the bottom of the pyramid. Also, notice the Masonic checkerboard pattern floor.
A Masonic clock containing the symbolism of the Blue Lodge. See any similarities with the screenshot above?
After the performance, fans of Nicki Minaj (called Barbs) paid tribute to her. It was ridiculous. One woman said:
“Queen. You taught me to always put myself first and be completely unapologetic about it.”
Huh, qUeEn … that just doesn’t sound right. Isn’t ALWAYS putting yourself first the literal definition of being selfish? It’s also the main tenet of the Church of Satan but that’s none of my business.
Then, a guy says (while nearly crying):
“You’ve always been my inspiration for strength and confidence. You’re literally the reason that I’m alive”.
Really? Nicki Minaj is the reason you’re alive? How? What exactly did she do? Was it when she supported her brother who was sentenced 25 to life for child rape? Or when she supported Drake, the child groomer? Or her husband who was arrested for failing to register as a sex offender? Or the fact that she named one of her alter-egos after child rapist Roman Polanski?
Then, another Barb says:
“Her music is everything. We owe her everything. She is everything, OK?”
We owe her everything? How?
Then, after being praised by her fans as the best person on Earth, Nicki literally begins her acceptance speech by yelling at her assistant in the crowd because he didn’t give her her phone. Seriously, you can’t make this up.
The BS and the hypocrisy that was on display at the VMAs were nothing short of phenomenal.
Winning … and Whining
At one point, Bebe Rexha comes out to present the “Video for Good” award. She says:
“The nominees for Video for Good push us to be better, to be ourselves, and to be nicer to each other.”
Then, Lizzo wins and she comes up looking like this.
This is exactly the first word of the acceptance speech by this person who is “pushing us to be better”.
“B***********tch!”
So inspirational. She really is making us better.
Then, she ranted about “laws that are oppressing us”. Of course, she wasn’t talking about actual laws that are oppressing us but about abortions (because the elite is obsessed with killing babies). Then, Lizzo addressed comedian Aries Spears who dared to make jokes about her.
Indeed, Spears said that he couldn’t get past the fact that Lizzo “looks like the sh*t emoji” and that she was “built like a plate of mashed potatoes”. Lizzo said:
“And now for the b*tches that had something to say about me in the press. (…) B*tch I’m winning ho!”.
So, instead of ignoring the jokes and saying something meaningful, she just used her platform to yell obscenities on the mic. It’s exactly like the ridiculous Nicki Minaj situation described above.
Here’s a little message for Lizzo: You’re only winning because they want you to. When they’re done using you to push agendas, you’ll basically be to them.
Then, the hypocrisy mixed with virtue signaling continued.
Later in the show, Billy Eichner came out and he was very angry.
Billy was there to promote the movies Bros. He said:
“Bros is making history as the first gay romcom ever made by a major studio and the first where every role is played by an openly LGBTQ actor”.
Hold on, Billy. If EVERY role is played by LGBTQ actors, isn’t that the exact opposite of being “inclusive”? Isn’t that the opposite of sexual diversity?
Then, Billy actually guilts people into watching the movie.
“I need all of you in theaters because we need to show all the homophobes like Clarence Thomas and all the homophobes on the Supreme Court that we want gay love stories”.
Wow. I didn’t realize that the “homophobes of the Supreme Court” banned gay love stories.
Eminem and Snoop in the Metaverse
A few months ago, I analyzed Mark Zuckerberg’s pathetic attempt at making the Metaverse cool to young people with a creepy and disturbing ad. Well, they’re at it again. This time, they’ve recruited Eminem and Snoop Dogg to promote this dystopian virtual reality world that is controlled by mega-tech corporations.
The performance begins with Snoop smoking a gigantic joint and Eminem saying that it’s getting him high.
Then, the marijunana smoke transports them to the Metaverse.
Yes, they’re equating being in the Metaverse with being high. That’s how low they’re willing to go to sell the Metaverse to young people.
Fake, Metaverse versions of Snoop and Eminem perform in “trippy” places such as this place populated with horned beings.
Snoop and Eminem probably got paid a whole lot to promote the Metaverse in such a pathetic matter. I hope it was worth it because it was definitely a low point in their careers.
In Conclusion
The 2022 VMA show was a non-stop barrage of toxic messages and occult symbolism that are directly sponsored by the global elite. This sad spectacle was a blatant proof of how popular culture is now used to not only indoctrinate the masses, but to actually confuse and demoralize them.
For years, I’ve been highlighting the gender-blurring agenda that’s permeating societies across the world. The VMAs is a perfect reflection of the absurdity of this agenda. Every single year, the VMAs push this agenda a little further, knowing very well that those who dare mention anything about it would be shut down as “transphobic”. Now, it has come to the point that most men at the VMAs are overtly feminine.
What will it take for people to realize that none of this is organic? That it is all part of a sick agenda? Maybe having all artists perform under a literal Illuminati pyramid would do it? Hold on, that’s exactly what they did.
Nobody in mass media talked about any of this. They were too focused on the butts.
There are four major symbols I want to take up here.
The important thing to remember is: these symbols conspire to produce a “view of self” in the patient.
The patient comes to see himself in a certain way, and this way implies a reduction of his own power.
Reducing his own power, he literally sees himself as smaller.
The cascade of effects continues. Seeing himself as smaller, he comes to believe he has no significant role in his own health and well-being.
This belief is a perception, a view of self. This view, like a magnet, attracts and interprets events as further evidence of weakening and deterioration…
This reality is far from the only possible one, but it is the one the patient chooses.
The first symbol is SYMPTOM. The person sees and experiences feelings and physical manifestations, and in the doctor’s office, he learns these are symptoms that collectively MEAN SOMETHING. He has symptoms. These are not random, he is told. They are not transient. They cannot be ignored. They will not go away on their own. They are serious.
The second symbol is CONDITION. The doctor’s diagnosis of the symptoms makes it clear that the patient has a disease, an illness, a disorder. A label is applied. A name. There is no doubt that the patient has this named disease. This is a THING. An entity. It is not a passing phenomenon. It is solid and stable. It is singular.
The third symbol is TREATMENT. This is what the doctor tells the patient he must do. Take a medicine. Have surgery. The treatment will get rid of the condition. The treatment is specific. It is geared to address the condition. It is the solution to the problem.
The fourth symbol is the DOCTOR. He knows. Nobody else knows. He is the authority. He is in charge of recognizing the symptoms, which lead him to make the diagnosis of the condition, which is turn leads him to prescribe the treatment. This progression is lock-step. There no other factors to consider. The doctor has effectively ruled out all other possibilities.
These four symbols lead the patient into a state of obedience. And in that state, he realizes his own power is beside the point and is irrelevant.
Of course, this is not the first time he has been to the doctor’s office. This is not the first time he has been put through this progression of the four symbols. Therefore, the effect on him, over time, is magnified.
Each successive visit to the doctor confirms he can and does develop new sets of symptoms—and each set implies a new condition.
As the conditions pile up, the patient is more convinced than ever that he is composed of diseases that appear “out of nowhere.”
He views himself as a set of symptoms which indicate a condition and imply a treatment. This is, in a sense, who and what he is.
Over time, his conditions tend to be more serious.
He never imagines that the toxic treatments he is taking are contributing to, or causing these more serious conditions—because each disease has a separate name, as if it exists in a vacuum. The doctor handles each diagnosis in that fashion. “Now you have this…and now you have that.”
When the patient reaches a point where he views himself as BEING these symptoms and conditions and very little else, he simply waits for the next arrival of the next set of symptoms and the next condition.
This is how powerful symbols can be.
In a better world, people would be educated in the use and effects of symbols, before succumbing to them.
Some would say, “What do you mean, symbols? The doctor is real, I do have physical problems, the doctor really does make a diagnosis, and I do take real medicines. Why are you talking about symbols?”
Because what locks a person in is what happens in his mind. And what happens in his mind is this parade of symbols. That’s what forms the basis of HIS VIEW OF HIMSELF. He rolls these symbols around in his mind and accepts them and locks himself in, and he sees himself as deteriorating.
“I am a deteriorating person. That’s who I am. That’s what I am. I’m waiting for the next round of symptoms and the diagnosis and treatment from the doctor. Any other ideas about what I am and what I can do are beside the point. No reason to entertain them. I have the potential to be more than a deteriorating person? What does that even mean? It makes no sense.”
The person doesn’t understand symbols, doesn’t understand how he is dealing with them, and so he closes the book on his life and future.
This process is not necessary, but he doesn’t grasp that.
Am I claiming that everything is in the mind? Nothing else possibly matters? No one ever really gets sick? No. But I am saying a shocking amount of what turns out to be a person’s future or non-future flows from how he recognizes, or doesn’t recognize, symbols and how he reads them and interprets them, how he accepts or rejects them, how he chooses to surpass them or succumb to them.
Yes, there is a doctor. Yes, there is such a thing as physical illness. Yes, the doctor is delivering a diagnosis and calling it a condition. But these factors are not in the mind, unless the physical doctor can squeeze himself into the patient’s head. In the mind, there are symbols of these elements—and that is what the patient is dealing with, for better or for worse.
And over the long-term, for most patients, it’s worse.
About the Author
Jon Rappoport is the author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29thDistrict of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.
Why are there so many pictures of celebrities hiding one eye? It is definitely not random. In fact, the One-Eye sign has a profound meaning and proves an important fact about the powers that be. This article looks at the origins and the meaning of the unescapable One-Eye sign.
The One-Eye sign is one of the most recurrent themes on The Vigilant Citizen because it is also one of the most recurrent themes in mass media. Throughout the years, this site has highlighted hundreds upon hundreds of clear instances where major artists, models, celebrities, politicians and public figures posed with one eye hidden.
The sign is everywhere: In music videos, on magazine covers, on movie posters, in advertisement and so forth. The sheer number of these pictures is simply staggering. Considering these facts, the repeated occurrence of the One-Eye sign simply cannot be the result of coincidence. Indeed, there is a clear effort to have this sign displayed everywhere.
So, why is this sign everywhere and what does it mean? Here’s a look at the timeless and transcendental symbol of the Eye.
An Archetypal Symbol
A Turkish “nazar” amulet used to repel “evil eye” curses. Similar charms can be found in Portugal, Brazil, Armenia, Azerbaijan, Albania, Algeria, Tunisia, Lebanon, Turkey, Greece, Israel, Egypt, Saudi Arabia, Jordan, Bangladesh, Iran, Iraq, Pakistan, parts of North India, Palestine, Morocco, southern Spain, Italy, Malta, Romania, the Balkans, the Levant, Afghanistan, Syria, and Mexico.
The human eye has been used as a symbol since the dawn of civilization. It can be found across all ages and cultures. Carl Jung identified the eye as a classic “archetypal symbol” – an image that is embedded in humanity’s “collective unconscious”. According to his theory, humans instinctively respond to archetypal symbols and unconsciously assign to them a specific meaning.
“Eyes are probably the most important symbolic sensory organ. They can represent clairvoyance, omniscience, and/or a gateway into the soul. Other qualities that eyes are commonly associated with are: intelligence, light, vigilance, moral conscience, and truth. Looking someone in the eye is a western custom of honesty. In this way covering of the eyes, by wearing a helmet, sunglasses, etc. can mean mystery, not seeing the complete truth, or deceit. The eye often means judgment and authority.”
– Dictionnary of Symbolism, University of Michigan
In nearly all cultures, the symbol of the eye is associated with spiritual concepts such as divinity (the Eye of Providence), spiritual illumination (the Third Eye) or magic (the evil eye).
“The eye symbolizes seeing and light, and therefore consciousness itself. The eye is the part of us that beholds the universe and sees our place in it. It is knowledge, awareness and wisdom. The eye takes in light, the pure energy of the universe, and presents it to the inner spirit. It is the gateway, indeed the very union, between the self and the cosmos.”
– Peter Patrick Barreda, Archetype of Wholeness – Jung and the Mandala
In the Bible, Jesus referred to the eye as the “lamp of the body”.
“The eye is the lamp of the body; so then if your eye is clear, your whole body will be full of light. But if your eye is bad, your whole body will be full of darkness. If then the light that is in you is darkness, how great is the darkness!”
– Matthew 6:22-23
The symbol of the eye always had a mystical and spiritual dimension assigned to it. As the popular saying goes: Eyes are the windows to the soul. For this reason, the symbol of the eye is particularly important in occult circles and Mystery schools.
Sun God
Since the dawn of civilization, the symbol of the eye and the sun (aka the “eye in the sky”) are associated with divinity. In Ancient Egypt, the symbols of the Wadjet, the Eye of Horus and the Eye of Ra are all associated with the solar god.
A classic depiction of the Egyptian Eye of Ra and Eye of Horus.
“The early sun god was named Horus. When Ra took over the title of sun god, he was also known as “Ra-Horakhty or Ra, who is Horus of the 2 horizons.”
It was in a battle with Set that Horus lost the use of one eye. Thoth restored the eye, and this was when Horus was also named Wadjet.”
– Ancient Pages, Eye Of Horus – Powerful, Ancient Egyptian Symbol With Deep Meaning
Because the symbol of the eye is associated with the sun – a proxy of divinity – the esoteric eye has a peculiar quality: It is “all-seeing”.
The archetype of the all-seeing one-eyed sun god can also be found in other ancient cultures. In Persia, Ahura Mazda was considered to be the creator of Earth, the heavens, and humankind, as well as the source of all goodness and happiness on earth. He was said to have “the sun for an eye”.
“The supreme god Ahura Mazda also has one Eye, or else it is said that ‘with his eyes, the sun, moon and stars, he sees everything.”
– Manly P. Hall, The Secret Teachings of All Ages
In Norse mythology, Odin was known as the ‘Allfather’ (or father of the gods). He was represented as an old man with one eye.
An ancient depiction of Odin.
Odin is yet another representation of a one-eyed creator sun god.
“The Supreme, invisible Creator of all things was called All-Father. His regent in Nature was Odin, the one-eyed god. The Norwegians regarded Balder the Beautiful as a solar deity, and Odin is often connected with the celestial orb, especially because of his one eye.”
– Ibid.
Western Occultism
Considering the fact that Western occultism was greatly influenced by the esoteric teachings of the civilizations above, the symbol of the All-Seeing Eye made its way into orders such as the Rosicrucians, the Illuminati, and the Freemasons.
Masonic symbols under the All-Seeing Eye.
“Albert Mackey writes that the All Seeing Eye is “an important symbol of the Supreme Being, borrowed by the Freemasons from the nations of antiquity.” The All Seeing Eye is a symbol representing the watchful gaze of God. It reminds us that every thought and action is to be recorded by the Grand Architect of the Universe, and that we are bound to our obligations in spirit as well as in blood.”
– James E Frey, 32°, Midnight Freemasons
Due to the heavy influence of Freemasonry on the historical events of the past centuries, the symbol of the All-Seeing Eye was included on prominent documents such as the reverse of the Great Seal of the United States and the Declaration of Human Rights.
Left: The reverse of the Great Seal of the United States. Right: The Declaration of Human Rights.
“If any one doubts the presence of Masonic and occult influences at the time the Great Seal was designed, he should give due consideration to the comments of Professor Charles Eliot Norton of Harvard, who wrote concerning the unfinished pyramid and the All-Seeing Eye which adorned the reverse of the seal, as follows: “The device adopted by Congress is practically incapable of effective treatment; it can hardly (however artistically treated by the designer) look otherwise than as a dull emblem of a Masonic fraternity.”
– Hall, op. cit.
The symbol of the eye was also adopted by several powerful secret societies such as the O.T.O.
The seal of the O.T.O (Ordo Templi Orientis).
That being said, does the symbol of the All-Seeing Eye actually represent God – as in the Judeo-Christian God? Well, this is where things get … occult (occult means hidden). The prominent American Freemason Albert Pike wrote that the true meaning of occult symbols is only revealed to high-level initiates.
“It is in its antique symbols and their occult meaning that the true secrets of Freemasonry consist. But these have no value if we see nothing in the symbols of the blue lodge beyond the imbecile pretenses of interpretations of them contained in our monitors. People have overlooked the truth that the symbols of antiquity were not used to reveal but to conceal. Each symbol is an enigma to be solved, and not a lesson to be read. How can the intelligent Mason fail to see that the blue degrees are but preparatory, to enlist and band together the rank and file Masonic army for purposes undisclosed to them, that they are the lesser mysteries in which the symbols are used to conceal the truth?”
– Albert Pike, Legenda and Readings of the Ancient and Accepted Scottish Rite of Freemasonry
Manly P. Hall, another prominent Freemason wrote that the All-Seeing Eye esoterically represents the ultimate goal of occultism: To attain divinity through one’s own means. This is done through the activation of the pineal gland – the Third Eye.
“Operative Masonry, in the fullest meaning of that term, signifies the process by which the Eye of Horus is opened. In the human brain there is a tiny gland called the pineal body, which is the sacred eye of the ancients, and corresponds to the third eye of the Cyclops.”
– Hall, Op. Cit.
In Islam
In Islamic eschatology, the end-times figure named Al-Masīḥ ad-Dajjal (“the false messiah, liar, the deceiver”) is said to be blind in his right eye. By pretending to be the Messiah, the Dajjal would deceive and take over the world. For these reasons, the Dajjal bears great similarities with the Antichrist in Christianity.
The coming of the Dajjal would be preceded by several signs such as: People will stop offering the prayers; dishonesty will be the way of life; falsehood will become a virtue; people will mortgage their faith for worldly gain; usury and bribery will become legitimate; there will be acute famine at the time; there will be no shame amongst people; many people will worship Satan; there will be no respect for elderly people and people will start killing each other without any reason.
The Modern One-Eye Sign
Considering the fact that the world today is ruled by what we call the “occult elite” (because of its ties with occult orders), it is no surprise that its main symbol is found everywhere. However, it is all done in a deceitful way. Today’s entertainment industry thrives on control, manipulation, and distortion. It is also all about debasing the masses from everything that is true, pure and healthy. Today, the symbol of the All-Seeing Eye is now about a select group of people oppressing, monitoring and controlling the world population.
George Orwell’s book 1984 is a blueprint for elite control and censorship. Appropriately enough, nearly all editions feature an All-Seeing Eye.
While the All-Seeing Eye is esoterically associated with the opening of the Third Eye to attain spiritual illumination, the One-Eye sign made by celebrities is about the exact opposite: Hiding and incapacitating an eye. The symbolism of this gesture is powerful.
Katy Perry hiding one eye with the Eye of Horus in her video Dark Horse.
When you hide one eye, you effectively block half of your vision. In symbolic terms, you become half-blind to the truth. By hiding one eye, celebrities symbolically “sacrifice” a vital part of their being for temporary material gain. And, since eyes are the “windows to the soul”, this gesture symbolizes the partial or total loss of one’s soul.
In Mind Control
The One-Eye sign is also an important symbol in the occult elite’s secret obsession: Monarch mind control. Known by many as project MKULTRA, mind control aims to turn humans into slaves through abuse, trauma, and programming. There is an actual culture revolving around Monarch mind control, complete with its own universe of symbols. And the One-Eye sign is part of it.
This is a painting by Kim Noble, a survivor of trauma-based mind control. This painting is called The Naming and relates to the naming of an alter persona.
This painting named I-Test also visually describes the trauma and programming of an MK slave.
Proof of Absolute Control by the Occult Elite
The omnipresence of the One-Eye sign in mass media also serves another purpose: It proves that all outlets of mass media are owned by a very small, elite group. Indeed, in order to have the same exact sign appear consistently and repeatedly across all media platforms and across the world, there needs to be a centralized source of power that forcibly makes this happen.
Think about the amount of money, power, and influence that is required to have all of these celebrities perform this specific gesture in videos and photoshoots. Now, ponder on the amount money, power, and influence that is required to have this specific sign plastered across magazine covers, movie posters, music videos and anything else that might reach the eyes of the masses.
In short, this symbol represents the global elite and all of its agenda: The debasing of the human psyche, the promotion of satanism, the normalization mind control, the normalization of transhumanism, the blurring of genders and more. The ultimate goal: Straying the masses as far away as possible from Truth, health, and balance.
In Conclusion
The symbol of the eye is an archetype that transcends time and space. Perhaps because humans instinctually respond to gazing eyes, there is something about that symbol that is jarring yet fascinating. While, in ancient times, the symbol of the All-Seeing Eye was often equated with the sun god, it gradually became a symbol of the power of the secret societies that shaped history in the last centuries.
Nowadays, the entertainment industry revels in the twisting and corruption of powerful symbols in the pursuit of its debasing agenda. The omnipresence of the One-Eye sign now symbolizes the omnipresence of the occult elite. It is them saying: “Look at who we control”.
That being said, there is a silver lining here. The One-Eye sign is a convenient way of identifying media to avoid because it is most likely drenched in the occult elite’s debasing agenda.
In this edition of SPOTM: Madonna, Miley Cyrus, Lil Nas X, Christina Aguilera and more proof that the occult elite is on a mission to expose the world to the One-Eye sign.
Christina Aguilera was featured in Galore magazine in an editorial titled: “Christina Goes Back to Her Roots”. Apparently, her “roots” is Beta Kitten programming (mind controlled sex slaves of the occult elite). To be fair, those are truly her “roots”. In 2010, I analyzed her video Not Myself Tonight which was all about Beta Kitten programming. In this pic, the bills she received in exchange for her “services” have unicorns on them. Slaves don’t get paid.
Christina being choked by the hand of an unseen person = Trauma at the hands of a handler. Behind her is a butterfly = Monarch programming.
A butterfly silencing Christina – a classic symbol representing the MK slaves silenced by their programming.
In MK symbolism, feline prints are used to identify Beta Kittens. On her breasts are rifles. In the world of MK, sex is indeed a weapon.
The One-Eye sign – proof that this is all pure occult elite garbage. Read my article The One-Eye Sign: Its Origins and Occult Meaning to fully understand the implications of this important sign.
Another One-Eye sign. But this time she is giving us the finger. So brave and edgy. Thank you, Christina, for this inspiring photoshoot.
As usual, the One-Eye sign was everywhere in the past weeks. Anybody who is somewhat relevant or influential needs to do it in order to remain in the public “eye”. This is beauty YouTuber Jackie Aina doing it on the cover of Essence.
Lil Nas X became an overnight star after the independent release of his song Old Time Road. Shortly after, he was signed with Columbia Records. Shortly after that, he’s doing the One-Eye sign on Teen Vogue.
This is the profile pic of singer and guitarist Albert Hammond Jr. on all social media. It basically says: “Alright, I’m hiding one eye, can I have my money now?”
Illuminati means ‘enlightened’, and members of this secret society are known to use vivid symbols to announce their presence. SpiritualRay takes a closer look at the various Illuminati symbols and their related meanings popularly used to convey cryptic messages to the masses.
Did You Know?
John Langdon, an American graphic designer and ambigram artist, was requested to create the Illuminati ambigram for the novel Angels & Demons by Dan Brown. Impressed with his creations, Dan Brown based his main character Robert Langdon on him.
Call it conspiracy, propaganda, mystery, secret society, or mind control, Illuminati is considered to be an ancient secret society that apparently no one can ignore.
Thanks to technology, one can observe the subtle signs and symbols it uses to make its presence felt. Hidden from plain sight, these symbols are waiting to be noticed, let us take a look at them.
Origin of the Order of the Illuminati
Before we understand the origins of this society, let me quote the founder of Illuminati, Adam Weishaupt, he says, Universal happiness complete and rapid could be achieved by disposing of hierarchy, rank and riches.
Princes and nations will disappear without violence from the earth; the human race will become one family; the world will be the abode of reasonable men.
These thoughts by Adam Weishaupt clearly indicate his desire for a new approach to the way the world order functioned during those days. A brief background about him would help us understand this desire in a better way. Adam Weishaupt was born in Ingolstadt, Bavaria, on February 6, 1748.
His early education was under the most powerful institute of that time ― the Jesuits. The Jesuits had influence over the religious and political scenario of that time, and Adam grew weary of it.
When elected as the canon law, Adam wished to change the heavy influence of the Jesuits with his radical and free-thinking Age of Enlightenment philosophies. With time he also became aware of occultism and Hermetism.
He thought of becoming a Freemason but quit the idea as it did not fully satisfy his quests. He soon realized that in order to overthrow the religious and political fundamentals of the Jesuits, he had to form his own secret society with an elite team who believed in his propaganda, and so, on May 1, 1776, The Order of the Illuminati was founded.
Over time, the secret sect grew with members spanning from different sections of the elite, one of the major influences being the famous and mysterious occultist of that time Cagliostro.
It was disbanded in the year 1788 by the government for legislative and criminal charges. In the true sense, the secret society never disbanded completely, in fact, it spread its tentacles into Freemasonry and Rosicrucians and infiltrated America through its founding fathers who were part of these secret societies.
Why the Need of Symbols in Illuminati?
Throughout ancient times, man has invented symbols to describe a concept or idea better than words. Every secret society comes with its hidden ideologies and agendas, which take the form of symbology.
These symbols are used as a means of communication among the members to distinguish themselves from each other and present a thought as an ideogram. Symbols form a picture or a message, some of which can be intentional and others can be so subtle that you might not understand it unless you belong to a secret society.
After its inception and disbanding, the Illuminati merged with the Freemasons, which is a society that uses numerous symbols. Thus the use of symbols came into being. For e.g., the ‘El diablo’ hand sign is a Freemason symbol; they worship the horned goat god ‘Baphomet’.
It symbolizes a salute to the fellow Masons. A large number of symbols and numerals come from the occult, such as the pentagram; numerology is the use of numbers to denote things, philosophies, and people, such as 666 which is the sign of the devil.
“Symbols rule the world, not rules or laws.” — Lao-Tzu
Various Illuminati Symbols And Their Meanings
1. The All-Seeing Eye and The Pyramid
This insignia was adapted by Adam Weishaupt, the founder of Bavarian Illuminati, during its foundation on May 1, 1776, which is symbolized at the base of the pyramid as Roman numerals MDCCLXXVI.
The Latin words ‘NOVUS ORDO SECLORUM‘ simply mean ‘A New Order for the Ages’. The secret agenda on which Illuminati works is to create an elite one-world government that will mobilize the distribution of power and money under its control.
The thirteen steps symbolize the thirteen satanic bloodlines that are part of this cult. The All-Seeing Eye symbolizes Lucifer’s Eye or Horus Eye, or it can be termed as an all-spying eye, which means an eye over the people.
2. The Pyramid
The pyramid is evidently the most widely used symbol in the world. The ancient Egyptians held it in reverence as a spiritual symbol, the hypotenuse side being child god Horus, the upright side being female God Isis, and the base being male God Osiris.
A triangle denotes the number 3, which in Hebrew/Babylonian language stands for spirituality. There are theories that the top of the pyramid stands for Heaven and the base being Earth and Hell.
According to occult beliefs, a single triangle is used to summon spirits or demons during a ritual, hence, making it very revered. It also symbolizes power, the top representing the elite who control the world, and the base being the ways of domination, e.g. military, finance, media, education, politics, and religion.
3. The Eye of Horus on the Pyramid
The eye is associated as a symbol of an all-seeing God, an omnipresent source who looks after mankind. In Illuminati circles, the Eye on the Pyramid represents royal power, denoting the elites who follow it.
It appears to be floating on the pyramid meaning the elite seeing themselves as god and watching over everything that mankind does. Also, it was supposedly adopted by the secret police of the Illuminati, whose role was to ensure that the members were staying true to the Order.
Some symbologist argue that it might be the eye of Saturn, while others allege that it’s the Eye of Horus.
4. Baphomet
Medieval legends say that the devil created the goat. Satan himself, sometimes, appeared as a goat. In modern times, Baphomet ― the goat head-horned god symbolizes occultism, witchcraft, and satanism. The origin of Baphomet ― a pagan god ― can be seen in various ancient religious sources.
It was mainly popularized by the Knights of Templar who worshiped it as their deity and widely used it at their rituals. In 1867, French occultist Eliphas Levi, in his book Dogme et Rituels de la Haute Magie (Dogmas and Rituals of High Magic) included a drawing that would become the most famous depiction of Baphomet.
It embodies the culmination and the union of the opposite forces to create Astral Light―the basis of magic and enlightenment.
5. The Number of the Beast 666
One theory states that 666 is, in fact, WWW (i.e. world wide web, the internet).
Popularized from the Book Of Revelations in The Holy Bible, the Number of the Beast 666 is denoted as a symbol of Luciferism and occult worship. It significantly adds up to the name of the sun gods worshiped in many pagan religions.
It has been secretly displayed in astrology by occultists for a very long time. Hidden from plain sight, the hand sign ‘OK’, which is a representation of 3 sixes in a row, is used by prominent music and movie celebrities.
6. The Devil’s Horn (a.k.a. El Diablo and Il Cornuto)
The ‘El Diablo’ or the horned head hand sign is a satanic salute or recognition to members of satanism and other unholy groups.
It was popularized in the ’60s by the founder of the Church of Satan, Anton LaVey; who spread it to the masses through rock musicians who were into satanism. Today, it is misinterpreted as a hand-sign for “rock”.
7. The Satanic Pentagram
An esoteric symbol of positivity, but when turned upside down by 180 degrees, it turns into a negative symbol of occultism.
The early Christians used the positive right-side up pentagram to symbolize the five wounds of Jesus (the two spikes on his hands and feet and the spear wound to his side). The occultist turned it upside down as a sign of mockery to Christ and to represent their opposite views.
In black magic, it is called ‘The Footprint of the Devil’ or ‘The Goat of Mendes’ as the inverted pentagram looks like a goat’s head. In Freemasonry, it symbolizes ‘Satan-Goat of the Sabbath’.
8. The Eternal Flame
In occult, it symbolizes the ‘Light of Lucifer’. The Illuminati always leave an occult signature when they carry out an event, or whenever anyone is killed by the Illuminati either by ritual or through an elaborate plan, their grave is usually adorned with an eternal flame.
A prominent example being the memorial of Princess Diana. The memorial has an eternal flame at the Ponce de L’Alma Tunnel in Paris, where she died.
President John F Kennedy too has an eternal flame at his grave site. Also, it represents the secret society’s immortality and eternal establishment.
9. The Owl
This symbol is derived from the Roman Goddess Minerva (Athena to the Greeks) as a representation of wisdom and knowledge. The Illuminatis see themselves as the elite wise who can rule the world through their knowledge and wisdom, they focus on the learning method of scientific inquiry and reasoning, and so have the owl as its symbol.
The owl is depicted in the seals of many libraries and universities, contributing to conspiracy theorists views that the Illuminati are attempting to control the world through education and learning.
10. Obelisks
The Egyptian obelisks of Rome
The obelisks were a representation of military and political power since ancient times. In pagan cultures, obelisks are symbols of patriarchal control of the masses.
The Egyptian obelisks of Paris
The Illuminatis have erected obelisks at strategic places of power to connote their control and power over the masses. A prominent example being the Washington Memorial, which is exactly like the pagan Egyptian obelisk.
The Washington Memorial obelisk
11. The Inverted Cross
It is a symbolic mockery of the Christian cross, used by satanists in their rituals. History states that Nero, who despised Christians, crucified the Apostle Peter on a downward headed cross. This hideous event resembled the Teutonic cross and became a popular pagan insignia of the day.
Thereafter, this sign became known as the ‘Neronic cross.’ In modern times, we know it as the ‘Peace Sign’, which is the Teutonic (Neronic) rune of death.
It was designed in the ’50s by peace advocate Gerald Holtom and communist sympathizer Bertrand Russell, either of them being a member of the secret society.
12. Sigil of Lucifer (“Seal of Satan”)
The Sigil of Lucifer is a lesser known historical magical sigil used occasionally as an emblem by modern Satanists.
The image originates in the sixteenth century Italian Grimoirium Verum, or “Grimoire of Truth.” Used in conjunction with other symbols, its original purpose of the sigil was to aid in a visual invocation of the angel Lucifer.
The figure is probably derived from an earlier work, most likely drawn from a magic square whose origins are now lost. The emblem is sometimes referred to as the “Seal of Satan,” although this is not a historical usage.
13. The Monarch Mind Control Symbols: The Umbrella, Rainbow, Birdcage, and Butterfly
In a full Monarch Mind Control (MMC) method, a combination of occult rituals, psychology and neuroscience are used to create an alter ego in the desired subject. The subject is termed as ‘slave’, and the one controlling is termed as the ‘handler’.
It is believed that these ‘slaves’ are used by the Illuminati elite to deliver messages, rituals, performances etc..
This mind-control program subjects victims to severe abuse in order to create programmable individual personalities, which can later be triggered when needed. Used widely in music videos, movies, and music culture, these symbols signify the victim’s state of mind being controlled by the Illuminati.
The Illuminati believe that there is a blueprint to conquer the world and signs and symbols lead the way. Whether or not you believe in them is your choice.
We live in a culture cartooned in memes. Symbolic imagery that once held power in the minds of the masses can now be folded over and onto itself ad infinitum, becoming overused, watered-down and sometimes comedic versions of the original form.
Take for example the 2017 Belluminati ad campaign from Taco Bell, where a television commercial parodies the Illuminati symbolism so ubiquitous in our government and culture. It’s actually pretty hilarious, and once you have a good laugh over something like this, it’s just hard to take it seriously again. Which is really the point. We’re not supposed to take any of this seriously.
The Denver International Airport (DIA) is well-known for the dark, symbolic artwork found all over the premises including a massive demon horse statue (popularly known as Blucifer), gargoyles, and most notably, the murals of Mexican artist Leo Tanguma.
Denver Airport mural – Leo Tanguma
The imagery in all of this is undeniably sinister and dark, promoting themes of genocide, ecocide and mass murder, and while artist Tanguma has publicly explained that his intentions behind these murals has been misunderstood, the entire body of art and circumstances surround DIA is quite disturbing, similar to the Georgia Guidestones which outline a plan to reduce the world’s population by ninety percent.
Now, in an active advertising campaign at DIA, the airport is riffing on the theories surrounding their dark tastes in artwork, and the conspiracy theories about the airport. These are outlined on a webpage at DIA, noting four conspiracies about the airport.
“YOU MAY OR MAY NOT HAVE HEARD.
DEN’S GOT SOME SECRETS.
SINCE THE AIRPORT’S OPENING IN 1995, THERE HAVE BEEN ENDLESS RUMORS AND THEORIES. PEOPLE SAY OUR UNDERGROUND TUNNELS LEAD TO SECRET MEETING FACILITIES FOR THE WORLD’S ELITE. OUR BLUE HORSE IS THOUGHT TO BE CURSED. SOME BELIEVE WE ARE CONNECTED TO THE NEW WORLD ORDER AND THE FREEMASONS. SOME PEOPLE EVEN SAY THAT WE ARE HOME TO A COLONY OF LIZARD PEOPLE.
Here’s the full scoop on DEN’s wildest rumors:
THE AIRPORT WAS BUILT BY THE NEW WORLD ORDER
Naturally. People think this because a dedication marker and plaques around the airport claim it was funded by “The New World Airport Commission.”
Never heard of them? Don’t feel left out–it seems no one has. After some digging, it was discovered that no such group exists. Not now. Not when the airport was built. Not ever. So rather than writing it off as nothing, people have jumped to the conclusion that it is actually a group within the New World Order.
Sketchy, sketchy.
THE AIRPORT CONTAINS THE ILLUMINATI HEADQUARTERS
Remember those plaques we just talked about? Well, there’s one placed over a time capsule that also has a Masonic square, a compass symbol, and an inscription that gives the time capsule’s contents to the “people of Colorado in 2094”–all symbols of Freemasonry, and yes, the Illuminati.
In case that isn’t enough, the date of the airport’s dedication is March 19, 1994. And if you add those numbers together (1+9+1+9+9+4), you get 33–the highest level one can achieve in Freemasonry, aka perfection.
Additionally, the airport building costs were more expensive than originally thought. Theorists believe this money went to building the headquarters. Rumor has it, they screwed up the first few buildings and instead of getting rid of them, they buried them and built on top of them to make one super-cool, super-secret underground lair.
THE ARTWORK CONTAIN CLUES TO THE APOCALYPSE
You’ve seen them. You’ve given them a many confused looks, wondering why? How? What? Really? They’re the interesting pieces of art decorating the airport: The glaring gargoyle sculptures, the big blue horse sculpture and, perhaps most notably, the 28-foot-wide murals.
It is theorized that these are clues to the sinister influence of the airport–the aforementioned Freemasons, Illuminati and New World Order. The blue horse’s glowing eyes are often interpreted as reference to the Four Horsemen of the Apocalypse. Plus, its creator Luis Jiménez died while making it.
SPEAKING OF THE APOCOLYPSE… WE’RE READY FOR IT
In addition to the Illuminati HQ, it is rumored there are several underground baggage tunnels just waiting to house the world’s elite when the world comes to an end. Lizard people (aka “Reptoids”) and evidence of aliens are also thought to be down there (apparently they’ve been drawing on the walls). Silly aliens, stop with your graffiti.” [Source]
Some images from their website:
Ok, so, their marketing firm is rather creative and all, just as Taco Bell’s. Great job. The real effect here other than a laugh, however, is the Jedi mind trick of stopping inquiry into the nature of the symbols and why they are so omnipresent in our culture anyways.
“The campaign is somehow reminiscent of Taco Bell’s “Belluminati” ads which ridiculed “conspiracies” about the dollar bill – although they’re factually true. It appears to follow the same recipe: Distorting theories to the point they become ridiculous to then make fun of that distortion they’ve created.
While the DIA’s campaign is about the massive renovations taking place in its Great Hall, there’s clearly a conscious effort to dispell the various theories that have been circulating for years.
Instead of making fun of people for wanting to understand the “art” inside the buildings they fund and use, how about explaining them in a rational matter. Just, like, explain this mural. Explain why it is inside an airport.” [Source]
Final Thoughts
It really was just a matter of time before Illuminati, Satanic, and Occult symbolism became so pervasive that it all became symbols of consumerism. Nike just pulled off something similar with Colin Kaepernick.
Buck Rogers is the earth-bound incarnation of that familiar part of our timeless cosmic selves, the rebel within. He is a surfer of ideals and meditates often on the promise of happiness in a world battered by the angry seas of human thoughtlessness. He is a staff writer for WakingTimes.com.
This video of the Royal Ritual in London shows high-level Freemasons bragging about their heavy influence in all spheres of society… in an extremely symbolic setting.
On October 31st, 2017, the Royal Ritual took place at the Royal Albert Hall in London where Freemasons celebrated the 300th anniversary of their influence on society.
The event was presided by the Grand Master of the United Grand Lodge of England: Prince Edward, Duke of Kent – the grandson of King George V and Queen Mary, and the cousin of Queen Elizabeth II.
Attended by thousands of Freemasons from across the world (including 136 Grand Masters), the ceremony featured “sketches” bragging about the influence of Masonry on modern society, including its important role in the creation of the United States. It mentions several times the fact that their all-seeing eye is prominently featured on American bank notes.
Of course, all of this happens on a checkerboard pattern floor and under a gigantic compass and All-Seeing Eye. Here’s the video:
After singing “God Save the Queen”, Benjamin Franklin and George Washington (two prominent Freemasons) come out to explain how America was founded on Masonic principles.
– I hold to be self-evident, brother Franklin, all men are created equal. – Indeed, brother Washington, all Freemasons meet as equals as we have the opportunity to create a nation in the very essence of Masonic morality. It would be wonderfully symbolic, don’t you think? – You’ll be wanting to put the all-seeing eye on our banknotes next.
They go on to brag about the Masonic symbolism in Washington, DC.
– The plans for our new capital city already have a very Masonic feel to them, yeah.
As seen in countless articles on this site, the music business [as well as Hollywood] is deeply embedded in occult principles (although many people in this industry are part of “darker” occult orders).
The ceremony ends with the initiation of a Masonic candidate by Prince Edward.
While this royal ritual contained absolutely nothing secret or occult (it is a public event), it nevertheless lays out in the open various facts that are often dismissed as a “conspiracy theory”.
The symbolism on the stage (which is reminiscent of an MTV music awards performance) is a clear reminder that mass media is replete with THEIR symbols, starting with the all-seeing eye. As documented on this site for the past 10 years, this symbols is now omnipresent, indicating the elite’s total control of popular culture.
“Hidden messages, public rituals, and ghost face masks.”
I like KJ. He is interesting, fresh, out there. He is a Christian so his views are narrowed down to his beliefs, but he presents an explanation to what seems to be going on in the world.
Has it always been this way, meaning the strife, the wars, the hate, the horror that is humanity, or are we at the end of some predetermined ancient prophecy? Whatever your belief system, you might enjoy his discussion on symbolism, the Illuminati, and the end of the world as we know it.
“Lord of the Rings star Elijah Wood has spoken out about this issue as well. “Let me be clear: This subject of child abuse is an important one that should be discussed and properly investigated,” Wood said.
“It was all organized,” he continued. “There are a lot of vipers in this industry, people who only have their own interests in mind. There is darkness in the underbelly.”
“What bums me about these situations is that the victims can’t speak as loudly as the people in power,” Wood stated. “That’s the tragedy of attempting to reveal what is happening to innocent people: They can be squashed, but their lives have been irreparably damaged.”
Pedophilia has come up in the mainstream a lot lately, as PizzaGate came to light fairly recently and more and more pedophile rings are being exposed, some of which have involved government officials.
If you’re unfamiliar with PizzaGate, it refers to a wide range of email correspondence leaked from the DNC that allegedly unearthed a high-level elitist global pedophile ring in which the U.S. government was involved.
It emerged when Wikileaks released tens of thousands of emails from the former White House Chief of Staff under Bill Clinton, John Podesta, who also served as Hillary Clinton’s campaign manager. It’s because of these emails that many claimed John Podesta was a part of these child trafficking rings as well.
Since then, conspiracy theorists and world renowned journalists alike have been looking into the topic and speculating how big this problem could be and who could be involved within these underground rings.
For example, award winning American journalist Ben Swann explained the Pizzagate controversy in detail on mainstream news:
Not long after, Swann’s entire online personal brand and accounts had all but vanished from the internet. Why?
More recently, there’s been some speculation that these pedophile rings could stretch into pop culture, potentially involving more pedophilia scandals and symbolism within the media. The question here is: Is there any tangible evidence of all of this, or is it mere speculation?
Pedophilia Symbolism
I’d like to begin by identifying the symbols that are used by pedophiles to identify themselves and make their requests within underground networks. Here is a link to a declassified FBI document illustrating the symbols and images used by pedophiles to “identify their sexual preferences.”
So, how do these images relate to pizza? First of all, before PizzaGate was even suggested, “cheese pizza” was used as a code word to discuss “child porn” (hint: it’s the same initials, CP). A quick Google search will reveal that the market for underage sex workers is fairly substantial, and you can even see a 2015 post on Urban Dictionary that explains how “cheese pizza” is used as code for child porn.
As per PizzaGate and the symbolism, it all started when multiple emails involving John Podesta, his brother, and Hillary Clinton simply didn’t add up. Strange wording discussing pizza and cheese left readers confused, and because the emails made so little sense, it led many to suspect that they were code for something else.
For example, this email addressed to John Podesta reads: “The realtor found a handkerchief (I think it has a map that seems pizza-related),” and this email sent from John Podesta asks: “Do you think I’ll do better playing dominos on cheese than on pasta?” There are many more examples, and I encourage you to go through the Wikileaks vault to explore.
On top of that, the DNC was associated with two pizza places, Comet Ping Pong and Besta Pizza, which use very clear symbols of pedophilia in their advertising and have strange images of children and other ritualistic type images and suspicious videos on their social media accounts – which has since been made private given the controversy over the images and their link to the DNC, but again, a quick Google search will show you what those images looked like. You can read the email correspondence between John Podesta and Comet Ping Pong’s owner, James Alefantis, here.
To start, here’s an image from his Instagram account:
Here’s an image of the Besta Pizza logo alongside the FBI’s pedophilia code symbols:
Former writer for the Huffington Post and Business Insider David Seaman has posted numerous YouTube videos thoroughly outlining the emails and the link to these pizza parlours and the pedophilia symbolism found within all of it. Here’s one of his videos, though I’d encourage you to watch the rest of them as well:
Here’s an image of some of the other art created by the same woman Comet Ping Pong commissioned to create the art for their pizza parlour. David Seaman discusses the art in another one of his videos. Does this look like the type of “art” a children’s artist should be creating (or anyone for that matter)?
As you may already know, PizzaGate is only speculation as of right now, though there is clearly some very damning evidence against the DNC that suggests some of the members were involved with pedophilia.
This Isn’t the First Time the Government Was Involved in Sex Scandals
Many were quick to assume that PizzaGate was entirely true because they knew of the U.S. government’s previous involvement with sex scandals and pedophilia.
For example, Ted Gunderson, former FBI special agent and head of their L.A. office, worked to uncover years’ worth of information on high-level pedophilia, sexual abuse, and satanic rituals performed by the government and the elite (or the cabal). In my opinion, Ted Gunderson is a wonderful place to start your research on this subject. You can read more about that in our CE article here.
Former U.S. representative Cynthia McKinney also knew about the government’s relationship to human trafficking, and she actually addressed it in 2005. She grilled Donald Rumsfeld on military contractor DynCorp’s child trafficking business of selling women and children (source).
Another individual involved in high-level trafficking was Jeffrey E. Epstein, a member of the financial elite infamous on Wall Street. In 2009, he pleaded guilty to charges of soliciting prostitution from girls as young as fourteen. He served just over a year in jail and became a registered high-risk sex offender.
According to former U.S. State Department official Steve Pieczenik, the Clintons and many more “have been a major part and participant of what’s called the Lolita Express, which is a plane owned by Mr. Jeff Epstein, a wealthy multi-millionaire who flies down to the Bahamas and allows Bill and Hillary Clinton to engage in sex with minors — that is called Pedophilia.” (source)
Prominent names who boarded the Lolita Express include former President Bill Clinton, Naomi Campbell, Kevin Spacey, Prince Andrew, Larry Summers, and other political figures, all of whom are listed on the flight logs. Even the current U.S. President, Donald Trump, has ties to Epstein, and was in fact accused of raping a 13-year-old girl at multiple different elite sex parties with Epstein. You can see the full logs here.
“Bill Clinton . . . associated with a man like Jeffrey Epstein, who everyone in New York, certainly within his inner circles, knew was a pedophile,” explained Conchita Sarnoff, an investigative journalist who, despite being bribed to stay silent, risked her life to expose the brutal reality of human trafficking. Sarnoff also wrote a book on the Epstein case called TrafficKing. “Why would a former president associate with a man like that?” Sarnoff asked. To read more about Epstein’s case, check out our CE article here.
Numerous victims involved in elite sex rings and occult sex rituals have come forward, exposing high-level corruption related to human sex trafficking and pedophilia. One of the more recent victims to come forward is a woman named Kendall, who was sold at birth into a powerful, high-level international sex ring. You can read more about her story in our CE article here.
How Does All of This Relate to Pop Culture?
To be perfectly clear, PizzaGate and the previously discussed government scandals may not relate to pop culture whatsoever. Though there’s no question that the Illuminati and the elite are involved within the music industry, and that Monarch Mind Control and other CIA programs have played a role in creating/influencing music and media (all of which I will discuss later in this article), that doesn’t mean that there’s a direct link between these topics and pedophilia/sex rings.
However, there have been instances of pedophilia and sex rings within the entertainment industry as a whole, and there have been suggestive symbols within music videos and other media posts, and that’s what will be discussed here.
One of the best examples is actress/comedian Roseanne Barr, who has spoken out about the mind control that occurs in Hollywood. Roseanne explained in a Russia Today interview that those in Hollywood are subordinates to their “masters” (or the ruling elite) and that the fear-based culture that’s perpetuated within Hollywood is run entirely by the mind control program MK Ultra (read about it in our CE article here). MK Ultra was/is a CIA-sanctioned program that ran from the 1950s until the mid-1970s, though it allegedly continues today under the name Monarch Mind Control (MMC).
I will not categorize this crap as “art”. This is not art, this is evil using art as a platform. While here on the subject of the corrupted and demented Hollywood culture, let me point this out: Harvey Weinstein (and the ignoble Hollywood culture that created him) has been exposed and tarred and feathered by the usual presstitutes, but take a look at which movie got the Oscar this year: The Shape of Water. It’s a fantasy film that includes bestiality in its plot. I won’t say more, as I don’t want to be a party pooper, but there is inter-species sex in it. Even when Hollywood is tarnished and castigated it still cannot unburden itself from what it is, evil.
In this edition of SPOTM: The highly symbolic Gucci fashion show, Daniel Kaluuya, Lana Del Rey and a whole lot of industry wackness.
The Gucci fall/winter fashion show was about showcasing clothes and, more it importantly, about showcasing what the fashion industry is truly about.
The runway was set up to look like an operating room. Apparently, it was used to perform horrific transformations on some models.This girl (who looks as if she had a lobotomy) has a third eye on her forehead. The symbol of the third eye historically represented spiritual illumination. However, in today’s corrupt elite symbolism, it represents enslavement. This guy has horns on his head and vaguely resembles classic depictions fauns, satyrs, the god Pan and Baphomet. The “operations” performed on the models are not only physical – they are spiritual.This guy holds his own severed head. Was his actual head replaced with a new head? Is he now a zombie?In mind control symbolism, this perfectly represents a slave’s alter persona.Speaking of MK symbolism, this photoshoot by Rankin for Hunger Magazine is full of it. While each image on its own can be open to interpretation, the combination of all of them points classic Monarch symbolism. Here, the model holds a mask modeled on her face, with inverted lipstick colors – pointing to the concepts of alter-persona and duality.This rather scary pic features classic MK symbolism: Fake eyes drawn on the model’s shut eyes. She cannot see for herself and her reality is artifically created.Another powerful symbol: Eyes forced shut by wires.The model’s face is painted in black and white – representing duality. A huge part of MK programming is instilling opposite, dualistic personas into the slave.Actress Rosa Salazar in Rogue magazine. The industry loves to portray artists as litteral puppets controlled by unseen hands. The new Valentino ad campaign is all about the one-eye sign. But wait, maybe it is all a coincidence. Women sometimes walk around with their purse like this.Maybe it’s still a coincidence. Maybe that’s how Gigi Hadid always wears her purse.Definitely not a coincidence.Another luxury brand, another one-eye sign. Cara Delevingne is doing it for AX. But wait, maybe its just an eyepatch.Same ad campaign, same 100%, intentional one-eye sign, signifying that the brand is owned by the occult elite.This pic was at the top of an article about Daniel Kaluuya, star of the movies Get Out and Black Panther. One eye hidden = Elite owned.This pic was at the top of an article about Chadwick Boseman, star of the movie Black Panther. One eye hidden = Elite owned.Michelle Keegan in Cosmopolitan magazine with one eye hidden. “But bro, wait, this is not Illuminati, she’s just being cute”. Possible. Let’s look at another pic.Same photoshoot. Same one-eye sign. The “Girl Power” shirt is rather ironic since she’s flashing her lack of power versus her elite owners.Singer Tinashe showing that she’s elite-owned as well.Do they need to make Olympic Athletes do this crap as well? Yes, yes they do.Madisyn Shipman is a 15-year-old actress known for her role as Kenzie Bell in the Nickelodeon sitcom Game Shakers. Nearly all of her fans are children. She posted this pic on all of her social media accounts.Connor Franta is a famous YouTuber with over 5 million subscribers. This is a pic of him in tmrw magazine.This magazine cover featuring Lana Del Rey is bizarrely symbolic – especially when one knows some details about her life. Across her chest are the words “Power Play”, with “Play” in white, dripping paint … or something else. As seen in several previous articles about Lana Del Rey, a lot of her work is about being a Sex Kitten at the service of the elite. Does the cover imply that she’s being “played with” by people in power? It would certainly be accurate.Lana was in a “relationship” with Hollywood super-creep Harvey Weinstein. She was truly being “played with” by powerful people.
Lana Del Rey’s song Cola is about her “relationship” with Weinstein. The lyrics are pure Beta Kitten stuff and are kind of disgusting. I mean, she even refers to him as “dad”.
My p*ssy tastes like Pepsi Cola My eyes are wide like cherry pies I got sweet taste for men who’re older It’s always been so it’s no surprise
Harvey’s in the sky with diamonds And it’s making me crazy All he wants to do is party with his pretty baby
Come on baby, let’s ride We can escape to the great sunshine I know your wife and she wouldn’t mind We made it out to the other side We made it out to the other side We made it out to the other side Come on come on come on come on come on baby Whoa ah yeah
I fall asleep with an American flag I wear my diamonds on skid row I pledge allegiance to my dad For teaching me everything he knows
Harvey’s in the sky with diamonds And it’s making me crazy All he wants to do is party with his pretty baby, yeah
Come on baby, let’s ride We can escape to the great sunshine I know your wife and she wouldn’t mind We made it out to the other side We made it out to the other side We made it out to the other side
Drug, suck it up, like Vanilla Ice is Don’t treat me rough, treat me really nice-is Decorate my neck, me, I’m on decisis Why, come on come on come on Ooo ooo ooo ooh Ooo ooo ooo ooh Ooo ooo ooo ooh Yeow!
Come on baby, let’s ride We can escape to the great sunshine I know your wife and she wouldn’t mind We made it out to the other side
Come on baby, let’s ride We can escape to the great sunshine We made it out to the other side We made it out to the other side
Come on come on come on baby Come on come on come on baby Whoa ah My p*ssy tastes like Pepsi Cola Ooh ah My p*ssy tastes like Pepsi Cola Ooo ooo ooo ooh Ooo ooo ooo ooh My p*ssy tastes like Pepsi Cola Ooh whoa yeah
Spearheaded by the elite’s favorite stylist Bea Akerlund, Ikea’s new ad campaign is a blatant display of the occult elite’s symbolism.
Furniture mammoth Ikea hired Bea Akerlund, the industry’s most prominent stylist, to create a line of cheap, useless objects. And the ad campaign surrounding these cheap, useless objects is 100% based on the most horrific project known to man: Monarch Programming. Makes sense, right?
Simply by looking at the image at the top of this article, most readers VC probably identified the clear, unmistakable reference to Monarch programming. And there is much more. But the people at Ikea could not expect anything else by hiring Bea Akerlund. Indeed, she and her husband – influential video director Jonas Akerlund – have been shaping pop culture and infusing it with the elite’s imagery for years. And that is not an overstatement.
Bae Akerlund
One of the countless symbolic pics found on Bea Akerlund’s Instagram account.
Madonna’s entrance at the 2012 Superbowl celebrated Grand Priestess of the industry and replicated “The Chariot” tarot card.
Each article linked above provides tons of examples of the Akerlund’s focus on occult-elite, MKULTRA symbolism. However, it is with lesser known acts that the true, unfiltered spirit of the Akerlunds shines through.
Bea worked a few times with the Swedish band Ghost. As you can see, it is all about explicit satanism.
Not only do the Akerlunds shape the visual imagery surrounding the world’s biggest pop stars, they also create ad campaigns for the world’s biggest corporations such as H&M, Virgin Mobile, Adidas, Citroen, Dell, McDonald’s, Panasonic, Puma, Miller Light, Nike, 7-Up, BMW, Ford, Toyota, Nissan, Visa Business Card.
The latest mega-corporation on the list: Ikea.
Omeldebar
The ad campaign promoting the Omeldebar collection mixes hypnotic patterns with circus-fanfare music that screams: “I am losing my mind”. And, right from the beginning, there is no doubt that we’re in Monarch Programming territory.
Bea stands inside a room with dualistic black and white stripes – an important part of MK programming. She wears a leopard-print dress which is associated Sex Kitten programming and used to identify Beta slaves.
The ad then references another Monarch Programming staple: Alice in Wonderland.
Bea holds a clock – not unlike the white rabbit in Alice in Wonderland.The White Rabbit on a Alice in Wonderland poster.
In Alice in Wonderland, Alice follows the white rabbit through the looking glass into a non-sensical, confusing world where anything can happen. In Monarch Programming, Wonderland represents the slave’s dissociated state which is fully controlled by the handler.
“The White Rabbit is a programming figure for Alice In Wonderland Programming who will allow you to go to otherwise inaccessible places for adventure. He represents the master. The White Rabbit is an important figure to the slave.” – Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave
The next scene confirms that this is all about Monarch programming and nothing else.
Bea opens a box and Monarch butterflies fly out of it. This cannot be more about Monarch programming.
Then, things go deeper into the murky world of MK.
Bea drinks two glasses of an unidentified drink.In the next shot, she lays on the ground, lifeless. Is this a reference to the drugging of slaves during trauma and programming?
The above screenshot is significant for another reason: It is a recreation of paintings made an actual Monarch mind control survivor: Kim Noble.
Nobles paintings “Waiting Rose” and “Crying Rose” portray a slave wearing dualistic clothing inside a room with a dualistic pattern.
In the first painting, the girl holds a rose in her hands. In the second, the girl is crying and the rose is on the ground, destroyed. This can represent the slave after being “deflowered” by her handler.
“Under The Table” – another painting by Noble that focuses on dualistic patterns and references to abuse by a faceless handler.
Yes, you are still reading an article about an Ikea commercial. Did you expect things to get so dark? Well, this is the world we live in now. This is what is being promoted all over mass media now.
Mirrors, looking glasses, reflections – all important parts of MK programming.You can now literally drape yourself and sleep on the one-eye sign.Bea does devil horns with the hand things she sells. So much creativity.
In Conclusion
The fact that Bea and Jonas Akerlund are given lucrative contracts by the world’s largest companies should come as a no surprise. They are the elite’s favorite image makers. Everything they do is permeated with the elite’s sick obsessions: Mind control, ritual abuse, satanism mixed with “style” and “glamour”.
They’ve shaped the images of the world’s most influential stars such as Lady Gaga, Beyoncé, Katy Perry, Britney Spears and countless others. They’re a major reason why pop culture is now a pool of homogeneity where all “artists” end up displaying the same symbolism. Personal style and visual imagery used to be a way for artists to express their individuality, their rebellious nature and their unique world outlook. Now, “style” and “fashion” are a uniform indicating submission to the elite’s agenda. And, now, they’re selling that uniform to you.
When symbols are misused for political or authoritarian purposes, their meanings can become confused, twisted and misunderstood, even flipped entirely.
An example of this is the swastika, which was first seen in carvings dating back 12,000 years, and has been a symbol of well-being, good fortune and prosperity to Buddhists and Hindus. Since the Nazis stole it as their own, however, we now associate it with hate, fear and death.
The all-seeing eye is one of the great omnipresent symbols of all time, most notably now as seen on the dollar bill. It has also found a contemporary home in pop culture as the trademark of occult worship and the Illuminati and the New World Order, used ad nauseam in music videos, celebrity photo shoots, and even appearing as a theme in a Taco Bell commercial.
This predominantly fearful association between the all-seeing eye and Luciferian overlords belies its meaning to Christianity, where it is known as the Eye of Providence, or the Eye of God.
“An ancient symbol of omniscience and divine providence, the Eye of Providence represents the eye of God, the singular divine power that has created the entire universe. The symbol shows a human eye enclosed in a triangle. In Christianity, the triangle represents the Holy Trinity and as such, the Eye of Providence symbolizes the divine entity looking over humankind and providing it benevolent guidance.” [Source]
The Eye of Providence also has significance in Buddhism, in Freemasonry, and is well-recognized for its importance to the Egyptians as the Eye of Horus, a symbol of protection and power.
Although represented differently in each culture, the all-seeing eye is historically ubiquitous because it is a representation of something deeply embedded within the human psyche. It stirs out souls in some instinctive way.
Canadian psychologist and professor Jordan Peterson talks about the true significance of the all-seeing eye atop the pyramid in the following video. He explains how the pyramid represents a hierarchy, and the detached triangle and all-seeing eye represents our ability to move up the hierarchy to the point where we are no longer attached to the hierarchy, and develop the ability to move around in and observe other hierarchies.
According to Peterson, the symbol ultimately represents our ability to develop attention, which is how we are ultimately able to bring order out of chaos, whether that be for an entire society or for one’s individual life and affairs.
“So what do you do if your life isn’t in order? You bloody well pay attention. And that isn’t the same thing as thinking, it’s a different process. Thinking is like the imposition of structure in some sense… but paying attention is like watching for what you don’t know.
So that’s the idea that climbing up a hierarchy of authority can give you vision, and that vision can transcend the actual hierarchy.” ~Jordan Peterson
He goes on to explain how artists and high-level athletes transcend the hierarchies of ordinary being in order to draw out vision and ability that far exceed that of ordinary capacity or creativity.
Furthermore, he uses the example of how children learn the rules of a game to demonstrate how societies evolve over time as customs, norms, values and morals shift, then how these changes slowly culminate as las (sic), such as how Moses derived the Ten Commandments to reveal on Mount Sinai.
In this regard, Peterson’s understanding of the all-seeing eye as a symbol of personal power and potential is a far cry from the current zeitgeist of the eye as a symbol of top-down omniscient control and domination by dark occult influences.
Dylan Charles is the editor of Waking Times and co-host of Redesigning Reality, both dedicated to ideas of personal transformation, societal awakening, and planetary renewal. His personal journey is deeply inspired by shamanic plant medicines and the arts of Kung Fu, Qi Gong and Yoga. After seven years of living in Costa Rica, he now lives in the Blue Ridge Mountains, where he practices Brazilian Jiu Jitsu and enjoys spending time with family. He has written hundreds of articles, reaching and inspiring millions of people around the world.
What is the meaning behind Justin Timberlake’s Supplies? Why are there people worshiping an Illuminati pyramid? Here’s a look at the intense symbolism of the music video Supplies.Supplies features Justin Timberlake and his love interest – played by Mexican actress Eiza Gonzalez Reyna – running around and causing heck in a dystopian society. While the setting is somewhat futuristic, the themes addressed are very 2017: #MeToo, racism, immigration, feminism, Harvey Weinstein, Black Lives Matter and, of course, Donald Trump.
In the most striking scene of the video, a crowd of people worships a gigantic Illuminati pyramid that emits light. Then, Reyna, who plays the role of a rebellious leader, sets it on fire. Later, the world is apparently in ruins. What’s going on? Is the video a call for an uprising? Is Justin Timberlake now a rogue, rebellious, troublemaker?
Not really. The video is actually a call for … doing nothing. It is simply part of the gigantic mass media wave that is defining what can and should be discussed and what can and should be celebrated. It is part of the communication technique called “agenda-setting”:
“Agenda-setting is the creation of public awareness and concern of salient issues by the news media. As well, agenda-setting describes the way that media attempts to influence viewers, and establish a hierarchy of news prevalence. Two basic assumptions underlie most researches on agenda-setting:
– the press and the media do not reflect reality; they filter and shape it; – media concentration on a few issues and subjects leads the public to perceive those issues as more important than other issues.
These core statements were established by measuring the changes in salience through the use of surveys with the presence of more frequent news coverage.” – Wikipedia, “Agenda-Setting”
There’s a lot of agenda-setting going on in Supplies. Like so many other videos out at the moment, it helps define what the masses should care about (or obsess over) these days. However, in order to reach young people, the agenda-setting is clothed as a revolt against an oppressive system. But there is no actual “revolt” going on, just an industry puppet doing what he is told for the cameras. Then, he cashes his check from RCA records and goes back to his mansion.
Eternal Puppet
Justin Timberlake began his show-business career at age 11 as a cast member of the Mickey Mouse club, alongside several future industry stars.
This edition of the Mickey Mouse club included Justin Timberlake, Britney Spears, Christina Aguilera and Ryan Gosling.
Timberlake then found super-stardom as the leader of the boy band NSYNC.
The album cover of No Strings Attached features the group (including Justin) as literal puppets.
In 2002, Timberlake launched his solo career. Once again, album art was highly symbolic.
Dressed in A Clockwork Orange-inspired outfit, Timberlake does the 666 one-eye sign of the industry pawn.The cover of his last album features a subtle (yet still very present) one-eye sign.
One week before the release of Supplies, Timberlake released Filthy, a video that features him being replaced by … a dancing robot.
In Filthy, Timberlake stands backstage while a (rather creepy) robot replacement performs sexy dance moves on human dancers. He ultimately wins over the crowds as everybody cheers for the robot.The concept of the video is somewhat reminiscent of the movie Metropolis where Maria – a leader of the people – is replaced by an android to do the elite’s bidding. (Read my article about the movie here).At the end of Filthy, Timberlake “glitches out” and disappears. Was he just a projection? Was he replaced by the android?
Everything about Timberlake’s career points towards him being at the service of the industry and nothing has changed with his latest album. He is still signed with the elite-owned RCA records and as such, anything he puts out is perfectly in accordance with the elite’s agenda.
Supplies
Contrary to Filthy (which is basically four minutes of watching a robot dance), there’s a lot going on in Supplies. Throughout this flurry of messages and symbolism, there’s a core message being communicated: This is what you need to be angry about in order to be “woke”.
More precisely, it is about focusing on specific issues, framing them in a specific matter, and imposing a specific social-political “solution” to them.
At the beginning of the video, Justin watches several screens at one, all of which display events of the past year: Trump, Harvey Weinstein, anti-racism demonstrations, gun control, the Vegas shooting, etc.The scene appears to be a reference to the 1976 sci-fi movie The Man Who Fell to Earth where an alien (played by David Bowie) watches 12 TVs at once while becoming an alcoholic.
After absorbing all of that mass media, Justin goes outside where some bizarre stuff is going down.
Some very pale people, dressed in all white, harass Justin’s girl, who is dressed in black. Are those white faces a reference to White people?Does this guy represent “gun nuts” who are against gun control?Justin watches this scene unfold from across the street. Do the floating white umbrellas represent White America being somehow “protected” from bad weather?
Justin doesn’t like what he’s seeing: He punches the guy in white and leaves with the girl in black.
In the following scene, Justin dances around as light effects depict people slipping under the wall and running away, in a rather clear reference to Trump’s wall with Mexico.Here, Justin and his “army” gather at Los Angeles Public Library as flags on the walls burn. Why are the flags burning? Interesting fact: In 2011, I published an article about the occult symbolism of this very library.We don’t see it in the video, but there’s actually a pyramid topped by a torch of illumination right above them. This indicates who they’re really fighting for.
In the next scene, Justin and his girl find themselves in a creepy place of worship.
People bow before an Illuminati pyramid.Eiza – who is apparently a rebellious leader – sets the pyramid on fire with a Molotov cocktail.
Did Eiza set fire to the Illuminati? Not really.
Notice that there’s American money burning as it flies from the pyramid. In the previous scene, flags were burning. Now, money. Are these allusions to the destruction of national flags and national currencies … to be replaced by a one world government and a one world currency? The elite’s ultimate objective?
The same people who were worshiping the pyramid are now cheering for Eiza. The masses are idiots prone to groupthink. How about thinking for yourself for a change?
The new leader’s disposition is reminiscent of an iconic picture of the past.
This scene recreates the famous picture of Huey P. Newton, the leader of the Black Panther Party. There’s a lot of racially charged stuff in the video.Here, people float in the air with illuminated rings around their eyes. When Justin and Eiza remove the rings, people fall off. They are now “woke”.
Throughout the video, various symbolic pictures quickly flash on screen.
A protest sign saying “The Muslim ban is White supremacy”.RIP Amerikkka – an inverted American flag cut in half.
After all of this intense noise, the video ends in a cryptic matter.
Justin emerges from the ground as dirty children gather around him, in a post-apocalyptic world. Eiza is looking fresh and clean.
What happened there? A nuclear explosion? Why is everybody dirty except Eiza? Did she know that the destruction was coming?
The timing of this scene is rather odd as Supplies was released only days after the Hawaii false nuke alert.
On January 18th, an alert was sent to all devices in Hawaii about an incoming ballistic missile.A few days later, the Japanese network NHK sent out a false alert saying: “NHK news alert. North Korea likely to have launched a missile. The government J alert: evacuate inside the building or underground.” The alert was then corrected.
The hook of the song alludes to a post-apocalyptic setting, where Justin (maybe representing the elite) has all of the “supplies” necessary to survive.
‘Cause I’ll be the light when you can’t see I’ll be the wood when you need heat I’ll be the generator, turn me on when you need electricity Some shit’s ’bout to go down, I’ll be the one with the level head The world could end now Baby, we’ll be living in The Walking Dead
The video ends with a little boy talking directly to the viewers. And he’s pretty angry.
“Just leave. Die already. You’re still asleep! Wake up! Just leave. We good.”
Why is the music video telling viewers to “die already”?
Hypocrisy
Supplies is very similar to a music video analyzed last year: Katy Perry’s Chained to the Rhythm. In both videos, the singers are depicted as “revolutionaries” who are “woke” and who stand up against the powers that be. However, in both cases, the “revolution” is actually 100% in line with the world elite’s agenda. Supplies and Chained to the Rhythm are part of the new “sanctimonious Hollywood” trend where constant virtue-signaling somehow gives celebrities the right to define what should people think and believe in.
In Supplies, Justin Timberlake appears to strongly support the #metoo movement. However, less than two years ago, Timberlake worked with Woody Allen, claiming it was a “dream come true”, despite the fact that Allen’s has long been accused by his adoptive daughter of sexually assaulting her.
Dylan Farrow even called out Timberlake on this hypocrisy:
“I struggle with how a powerful force like Justin Timberlake can claim to be in awe of the strength of women and stand with them at this #MeToo moment and then in the next breath say that working with Woody Allen is a ‘dream come true.” – Business Insider, Dylan Farrow calls out Justin Timberlake for saying working with Woody Allen was a ‘dream come true’ then claiming to support victims of Hollywood sexual misconduct
Yes, Woody Allen is accused of sexual abuse by his own adoptive daughter. Also, Woody Allen is actually MARRIED to another adoptive daughter: Soon-Yi Previn. So woke.
Supplies also deals with race. But the hypocrisy is even stronger there. Some of the symbolism is clearly “pro-Black”. However, not unlike elsewhere in mass media, the new “pro-Black” is not about bettering the lives of Black people: It is about fomenting hatred and division.
While many get their education from Hollywood celebrities while eating Tide Pods, actual History is being forgotten. The elite that’s currently pandering to Black people is the same elite that’s been oppressing Black people for decades. Who allowed crack to enter Black neighborhoods, turning droves of people into zombies? Who allowed the killing of so many Black leaders? Who allowed police brutality on innocent Black people? The answer: Those who are truly in power, no matter who’s President. These things happened when Republicans and Democrats were in power. These things happened while Barak Obama was in power. It doesn’t matter. They do not actually believe that “Black Lives Matter”. No lives matter … except theirs.
In Conclusion
Supplies is the elite communicating to the masses using extremely manipulative techniques and classic double-speech. Through the use of virtue signaling, the video panders to the idealistic tendencies of young people. However, what are the actual values being promoted? Anger, hatred, and division between races, sexes, and political affiliations. The more the masses are divided, the more the elite can control each group efficiently. Divide and conquer is the oldest trick in the book.
There’s a great reversal going on here. The Illuminati (aka the world elite) is portraying the acceptance of its agenda as “fighting the Illuminati”. Mass media is in full force, using all of its resources to frame what’s happening in a specific narrative. Why? Because we are in a pivotal place in history.
The elite’s motto is Ordo Ab Chao: Order Out of Chaos. We are living in chaotic, confusing times and Trump and is a perfect agent of chaos. The response to him, and all of the issues highlighted above – the agenda – will be Order. And when “order out of chaos” is a reality people will actually bow down to the Illuminati pyramid.
“Our citizens should know the urgent facts…but they don’t because our media serves imperial, not popular interests. They lie, deceive, connive and suppress what everyone needs to know, substituting managed news misinformation and rubbish for hard truths…”—Oliver Stone
to them.
Tales from the Conspiratum 
