Graham Hancock investigates the mysterious religious texts of the Zoroastrians of ancient Persia and the ‘underground cities’ of neighbouring Turkey. Both, he argues, are far older than is presently taught and date back to cataclysmic events near the end of the last Ice Age that destroyed, and all but wiped from human memory, an advanced civilization of prehistory. Below is an excerpt form his work, which you can find HERE. ( A link to his new book, “Magicians of the Gods”)
You can also check out our extended interview with him here.
Exactly how old Zoroastrianism is has not yet been satisfactorily established by scholars, since even the lifetime of its prophet Zarathustra (better known as Zoroaster) is uncertain. Indeed, as Columbia University’s authoritative Encyclopedia Iranica admits: ‘Controversy over Zarathustra’s date has been an embarrassment of long standing to Zoroastrian studies.’[i]
The Greek historians were amongst the first to address themselves to the matter. Plutarch, for example, tells us that Zoroaster ‘lived 5,000 years before the Trojan War’[ii] (itself a matter of uncertain historicity but generally put at around 1300 BC, thus 5,000 plus 1,300 = 6300 BC). A similar chronology is given by Diogenes Laertius, who relates that Zoroaster lived ‘6,000 years before Xerxes’ Greek campaign’[iii] (i.e. around 6480 BC). More recent scholars have proposed dates as far apart as 1750 BC and ‘258 years before Alexander’[iv] (i.e. around 588 BC). Whatever the truth of the matter, it is agreed that Zoroaster himself borrowed from much earlier traditions and that Zoroastrianism, therefore, like many other religions, has roots that extend very far back into prehistory.
In the Zoroastrian scriptures known as the Zend Avesta certain verses in particular are recognized as drawing on these very ancient oral traditions.[v] The verses speak of a primordial father figure called Yima, the first man, the first king, and the founder of civilization, and appear in the opening section of the Zend Avesta, known as the Vendidad. There we read how the god Ahura Mazda created the first land, ‘Airyana Vaejo, by the good river Daitya,’[vi] as a paradise on earth and how ‘the fair Yima, the great shepherd… was the first mortal’ with whom Ahura Mazda chose to converse, instructing him to become a preacher.[vii] Yima refused, at which the god said:
Since thou wantest not to be the preacher and the bearer of my law, then make my world thrive, make my world increase; undertake thou to nourish, to rule and to watch over my world.[viii]
To this Yima agreed, at which the god presented him with a golden ring and a poniard – a long, tapered thrusting knife – inlaid with gold. Significantly, for we will see in Chapter Seventeen there are close parallels to this story as far away as the Andes mountains of South America, Yima then:
‘pressed the earth with the golden ring and bored it with the poniard.’[ix]
By this act, we learn he ‘made the earth grow larger by one third than it was before,’ a feat that over the course of thousands of years he repeated twice more – in the process eventually doubling the land area available for ‘the flocks and herds with men and dogs and birds,’ who gathered unto him ‘at his will and wish, as many as he wished.’[x]
Anatomically modern humans like ourselves have existed, so far as we know, for a little less than two hundred thousand years (the earliest anatomically modern human skeleton acknowledged by science is from Ethiopia and dates to 196,000 years ago).[xi] Within this timespan there has only been one period when those parts of the earth that are useful to humans increased dramatically in size, and that was during the last Ice Age, between 100,000 and 11,600 years ago. Indeed, previously submerged lands totalling 27 million square kilometres – equivalent to the area of Europe and China added together – were exposed by lowered sea-levels at the last glacial maximum 21,000 years ago. While it is probably far-fetched to suppose that it is this very real increase of useful land that is referred to in the Yima story, or that it has anything to do with the golden age that Yima’s benign rule supposedly achieved in Airyana Vaejo,[xii] it is interesting to note what happened next.
After another immense span of time, we read, Yima was summoned to ‘a meeting place by the good river Daitya’ where the god Ahura Mazda appeared to him bearing an ominous warning of sudden and catastrophic climate change:
O fair Yima, upon the material world the fatal winters are going to fall, that shall bring the fierce, foul frost; upon the material world the fatal winters are going to fall that shall make snowflakes fall thick, even on the highest tops of mountains…
Therefore make thee a Vara [a hypogeum, or underground enclosure] long as a riding ground on every side of the square, and thither bring the seeds of sheep and oxen, of men, of dogs, of birds, and of red blazing fires… Thither thou shalt bring the seeds of men and women of the greatest, best and finest kinds on this earth; thither shalt thou bring the seeds of every kind of cattle, of the greatest, best and finest kinds on this earth. Thither shalt thou bring the seeds of every kind of tree, of the greatest, best and finest kinds on this earth; thither shalt thou bring the seeds of every kind of fruit, the fullest of food and sweetest of odour. All those seeds shalt thou bring, two of every kind, to be kept inexhaustible there, so long as those men shall stay in the Vara. There shall be no humpbacked, none bulged forward there; no impotent, no lunatic… no leprous.[xiii]
So… you get the idea? This underground hideaway was to serve as a refuge from a terrible winter that was about to seize Airyana Vaejo – a winter not of a single season but of a millennium, at the onset of which, as the Bundahish, another Zoroastrian text, informs us:
the evil spirit… sprang like a snake out of the sky down to the earth… He rushed in at noon, and thereby the sky was as shattered and frightened by him as a sheep by a wolf. He came onto the water which was arranged below the earth, and then the middle of this earth was pierced and entered by him… He rushed out upon the whole creation and he made the world quite as injured and dark at midday as though it were dark night.[xiv]
Studying these accounts I couldn’t help but be reminded of the two millennia of gentle global warming that began about 15,000 years ago in the closing millennia of the last Ice Age – a sustained, balmy period of warm, fine weather – before the sudden lethal onset 12,800 years ago of a period of dramatic climate instability that geologists call ‘the Younger Dryas.’ This epoch has long been recognized as mysterious and tumultuous and it is only in the last decade that scientists have been able to pinpoint its cause. To cut a long story short, what the science indicates is that 12,800 years ago a comet travelling on an orbit that took it through the inner solar system broke up into multiple fragments, and that many of these fragments, some more than a mile (2.4 kilometers) in diameter, hit the earth with globally cataclysmic effects. An area of more than 50 million square kilometers, stretching from North America in the west to Syria in the east, was affected and a vast cloud of dust was thrown into the upper atmosphere that enshrouded the earth, preventing the sun’s rays from reaching the surface and thus initiating Younger Dryas.
At that point, 12,800 years ago, the earth had been emerging from the Ice Age for roughly 10,000 years, global temperatures were rising steadily, and the ice caps were melting. Then came the comet impacts, bringing a sudden catastrophic return to colder conditions – even colder than at the peak of the Ice Age 21,000 years ago. This short, sharp deep freeze lasted for 1,200 years until 11,600 years ago when the warming trend resumed, global temperatures shot up again, and the remaining ice caps melted very suddenly, dumping all the water they contained into the oceans.
When the Zoroastrian texts speak of a ‘fierce, foul frost’ and of ‘a fatal winter,’ is it possible that they are describing conditions during the Younger Dryas? The texts attribute the shocking change of climate to a supernatural agency – Angra Mainyu, the demon of darkness, destruction, wickedness, and chaos who stands in opposition to and seeks to undermine and undo all the works of Ahura Mazda, the God of Light. Zoroastrianism is a profoundly dualistic religion in which human beings and the choices we make for good or evil are seen as the objects of an eternal competition, or contest, between the opposed forces of darkness and light. And in this contest the darkness sometimes wins. Thus the Vendidad reminds us that although Airyana Vaejo was ‘the first of the good lands and countries’ created by Ahura Mazda, it could not resist the evil one:
Thereupon came Angra Mainyu, who is all death, and he counter-created by his witchcraft the serpent in the river, and winter, a work of the demons… [Now] there are ten winter months there, two summer months, and these are cold for the waters, cold for the earth, cold for the trees. Winter falls there, with the worst of its plagues.[xv]
In other translations the phrase ‘the serpent in the river, and winter’ is given as ‘a great serpent and Winter’ and, alternatively, as ‘a mighty serpent and snow.’[xvi]
Again… you get the idea. The metaphor that is being repeatedly driven home here is that of the mighty serpent who springs from the sky down to the earth, who penetrates the earth, and who brings a prolonged winter upon the world so severe that it is ‘dark’ (‘most turbid, opaque’ according to some translations[xvii]) at midday, and even the fleeting summer months are too cold for human life. Once again, the whole scenario seems very accurately to describe the terrible conditions that would have afflicted the world after the Younger Dryas comet spread its trail of destruction across 50 million square kilometers, brought on ‘a vehement destroying frost’ and threw such quantities of dust into the upper atmosphere, together with smoke from the continent-wide wildfires sparked off by airbursts and superheated ejecta, that a turbid, opaque darkness would indeed have filled the skies, reflecting back the sun’s rays and perpetuating something very like a nuclear winter for centuries.
The Zoroastrian texts leave us in no doubt that these conditions posed a deadly threat to the future survival of civilization. It was for this reason that Ahura Mazda came to Yima with his warning and his instruction to build an underground shelter where some remnant of humanity could take refuge, keeping safe the seeds of all animals and plants, until the thousand-year winter had passed and spring returned to the world. Moreover the account reveals very little that seems ‘mythical,’ or that obviously derives from flights religious fancy. Rather the whole thing has about it an atmosphere of hard-headed practical planning that adds a chilling note of veracity.
For example the admonition that deformed, impotent, lunatic, and leprous people should be kept out of the Vara sounds a lot like eugenics, a distasteful policy to be sure, but one that might be implemented if the survival of the human race was at stake and there was limited space available in the refuge. For the same reasons it is not surprising that only the seeds of ‘the greatest, best and finest’ kinds of trees, fruits, and vegetables, those that are ‘fullest of food and sweetest of odour,’ are to be brought to the Vara. Why waste space on anything but the best?
Also, although it is certain that a number of carefully selected people were to be admitted to the Vara, perhaps as caretakers and managers of the project, and as future breeding stock, the emphasis throughout is on seeds – which in the case of human beings would be sperm from the males and eggs from the females. So when we read that the Vara is to be constructed in three subterranean levels, each smaller than the one above, each with its own system of criss-crossing ‘streets,’ it is legitimate to wonder whether some kind of storage system, perhaps with ranks of shelves arranged in cross-crossing aisles, might not really be what is meant here:
In the largest part of the place thou shalt make nine streets, six in the middle part, three in the smallest. To the streets of the largest part thou shalt bring a thousand seeds of men and women; to the streets of the middle part, six hundred; to the streets of the smallest part, three hundred.[xviii]
If it seems fanciful to imagine that we might, in an almost high-tech sense, be looking at the specifications of a seed bank here, then how are we to assess other ‘technological’ aspects of the Vara – for example its lighting system? As well as making a door to the place, and sealing it up with the golden ring already given to him by Ahura Mazda, Yima is also to fashion ‘a window, self-shining within.’[xix] When Yima asks for clarification as to the nature of this ‘self-shining’ window Ahura Mazda tells him cryptically ‘there are uncreated lights and created lights.’ The former are the stars, the moon and the sun, which will not be seen from within the confines of the Vara during the long winter, but the latter are ‘artificial lights’ which ‘shine from below.’[xx]
Yima did as he was instructed and completed the Vara which, thereafter, ‘glowed with its own light.’[xxi] That accomplished, he then:
made waters flow in a bed a mile long; there here he settled birds, by the evergreen banks that bear never-failing food. There he established dwelling places, consisting of a house with a balcony, a courtyard and a gallery…[xxii]
There, too, we are reminded, in accord with the commands of the god,
he brought the seeds of men and women… There he brought the seeds of every kind of tree [and]… every kind of fruit… All those seeds he brought, two of every kind, to be kept inexhaustible there, so long as those men shall stay in the Vara…[xxiii]
Finally, we learn that:
every fortieth year, to every couple two are born, a male and a female. And thus it is for every sort of cattle. And the men in the Vara, which Yima made, live the happiest life.[xxiv]
Interestingly the translator explains, in a footnote drawn from various ancient learned commentaries on the text, that the human inhabitants of the Vara ‘live there for 150 years; some say they never die.’[xxv] Moreover, and particularly intriguing, the births of offspring to every couple do not result from sexual union but ‘from the seeds deposited in the Vara.’[xxvi]
Other hints of a mysterious lost technology connected to Yima include a miraculous cup in which he could see everything that was happening anywhere in the world and a jewelled glass throne (sometimes described as ‘a glass chariot’) that was capable of flight.[xxvii]
Flood & Rain
As well as a climate catastrophe in the form of an overnight reversion to peak Ice Age cold, we also know that the Younger Dryas involved extensive global flooding, as a large fraction of the North American ice cap – directly impacted by at least four of the comet fragments – melted and poured into the world ocean. It is therefore noteworthy that the Zoroastrian texts speak not only of the ‘vehement, destroying frost’ of a global winter but also of a subsequent flood accompanied by heavy precipitation, in which ‘every single drop of rain became as big as a bowl and the water stood the height of a man over the whole of this earth.’[xxviii]
On the other side of the world and much closer to the North American epicentre of the cataclysm, the Popol Vuh, an original document of the ancient Quiche Maya of Guatemala, based on pre-conquest sources, also speaks of a flood and associates it with ‘much hail, black rain and mist, and indescribable cold.’[xxix] It says, in a remarkable echo of the Zoroastrian tradition, that this was a period when ‘it was cloudy and twilight all over the world… The faces of the sun and the moon were covered.’[xxx] Other Maya sources confirm that these strange and terrible phenomena were experienced by mankind ‘in the time of the ancients. The earth darkened… It happened that the sun was still bright and clear. Then, at midday, it got dark…’[xxxi] Sunlight was not seen again ‘until the twenty-sixth year after the flood.’[xxxii]
Returning to the Middle East, the world famous account of the Hebrew patriarch Noah and the great Ark in which he rides out the flood, commands attention. It is obvious that there are many parallels with the story of Yima and his Vara. The Vara, after all, is a means of surviving a terrible and devastating winter which will destroy every living creature by enchaining the earth in a freezing trap of ice and snow. The Ark, likewise, is a means of surviving a terrible and devastating flood which will destroy every living creature by drowning the world in water. In both cases a deity – Ahura Mazda in the case of the Zoroastrian tradition, the God Yahweh in the case of the Hebrew tradition – intervenes to give advance warning to a good and pure man to prepare for the coming cataclysm. In each case the essence of the project is to preserve the seeds, or the breeding pairs, of all life:
And of every living thing of all flesh, two of every sort shalt thou bring into the Ark, to keep them alive with thee; they shall be male and female.
Of fowls after their kind, and of cattle after their kind, of every creeping thing of the earth after his kind, two of every sort shall come unto thee, to keep them alive.[xxxiii]
Easily missed, but noteworthy, is the fact that Noah’s Ark, like Yima’s Vara, is to have a ‘window,’ is to be closed with a ‘door,’ and is to consist of three levels:
A window shalt thou make to the Ark, and in a cubit shalt thou finish it above; and the door of the ark shalt thou set in the side thereof; with lower, second, and third stories shalt thou make it.[xxxiv]
Last but not least, there are hints of a lost lighting technology in Noah’s Ark that parallel the references to the ‘artificial lights’ in the Vara. In the legends of the Jews we read that the whole journey of the Ark, ‘during the year of the flood,’ was conducted in darkness both by day and by night:
‘All the time it lasted, the sun and the moon shed no light…’[xxxv]
However just like ‘self-shining window’ of the Vara:
‘The Ark was illuminated by a precious stone, the light of which was more brilliant by night than by day, so enabling Noah to distinguish between day and night.’[xxxvi]
Noah’s Ark, as is well known, is said to have ended its journey on the slopes of Mount Ararat, the symbolic heartland of ancient Armenia but now, as a result of wars in the early twentieth century, located within the modern state of Turkey. Turkey, in turn, shares a border with Iran – ancient Persia – from which the accounts of Yima’s Vara come down to us.
It is therefore intriguing that Turkey’s Cappadocia region has a very large number of ancient underground structures hewn out of solid rock and usually, like the Vara, consisting of multiple levels stacked one above the other. These underground ‘cities,’ as they are known, include the eerie and spectacular site of Derinkuyu, which I was able to visit in 2013. Lying beneath a modern town of the same name, eight of its levels are presently open to the public, although further levels remain closed off below and, astonishingly, a subterranean tunnel several kilometres in length connects it to another similar hypogeum at Kaymakli.
Entering Derinkuyu was like crossing some invisible barrier into an unexpected netherworld. One minute I was standing in bright sunshine; the next, after I had ducked into the cool, dank, dimly-lit system of tunnels and galleries (no self-shining windows now; only low wattage electric light), I felt I had been transported to a realm carved out by mythical dwarves at the dawn of time. In places the tunnels are low and narrow so that one must stoop and walk in single file between walls stained and blackened with ancient smoke and overgrown here and there with green mold. At regular intervals, slid back into deep recesses, I passed hulking megalithic doors, shaped like millstones, 5 to 6 feet (1.5 to 1.8 meters) in diameter and weighing close to half a ton. These were clearly designed to be rolled out to block access. Stairways and steep ramps led down from level to level and, although all the levels were interconnected, the rolling stone doors could be used to isolate them from one another when needed.
Photo by Santha Faiia